Mar 7, 2020
Karen Bernard’s Lakeside is, at the very least in title and chronology, a companion to 2019’s Poolside, my missing of which has me unfortunately unable speak […]
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Feb 22, 2020
Not surprisingly, the house was packed with people smartly dressed, anticipating an elegant night in the company of Peter Martin’s Swan Lake. The evening’s Odette-Odile, Megan […]
Feb 20, 2020
There are many good reasons to be made uncomfortable by a white man performing characters of color, and yet when it came to Dan Hoyle, it […]
Feb 13, 2020
Gabrielle Lamb’s co-commission with composer James Budinich, through the CUNY Dance Initiative, has resulted in a work that is curious, confounding, connective, meditative, and sometimes discomfiting, […]
Feb 12, 2020
Well into Act 2 of Mark Saltzman’s Romeo and Bernadette, Tito Titone, fiancée to the latter titular character, is taking one of those pre-wedding dance lessons. […]
Feb 10, 2020
Historic works rarely revived at NYC Ballet both puzzled and delighted audiences. Last performed in 1993, George Balanchine’s charming Haieff Divertimento (premiered 1947) showcases the company’s […]
Feb 8, 2020
Two shots ring out. That act tosses the characters into a cauldron of suspicion poisoning the plot. Creating a sensation when it debuted in 1981, Charles […]
Feb 7, 2020
In a multimedia production of film, dance, poetry, and music, Deborah Colker presented her Brazilian based company, Companhia de Dança, in Chelsea’s Joyce Theater. Colker’s piece […]
Feb 4, 2020
Known for the width and breadth of his rich dance vocabulary, for his fifth NYC Ballet commission Alexei Ratmansky stepped outside the David H. Koch Theater […]
