Feb 23, 2026
Review by Celia Ipiotis Merce Cunningham’s 1999 adventure into the science of motion capture resulted in the creation of Biped, a nod to the digital future […]
Feb 12, 2026
Every year there’s a dance reunion party held by The Martha Hill Foundation. The event honors dance movers and contributors who have made an indelible impact […]
Feb 10, 2026
Review by Celia Ipiotis It was “no” to sneakers, and “yes” to toe shoes in Justin Peck’s new, disarming work The Wind-Up. Set to Eroica, the first movement of […]
Feb 7, 2026
Soledad Barrio and Martin Santangelo, Artistic Directors of Noche Flamenca, presented a choreographic homage to the 18th-19th century Spanish painter and printmaker, Francisco Goya, in Los Disparates (Irrationalities) at […]
Feb 2, 2026
Review by Celia Ipiotis Sleek and potent, George Balanchine’s 1978 neoclassical Kammermusik, No. 2 to music by Paul Hindeminth, streaks across the David H. Koch stage. Charged with […]
Feb 1, 2026
Review by Celia Ipiotis In dance, the best way to meditate is to let Balanchine’s 1935 Serenade wash over you. A feeling of stillness frees overactive […]
Dec 18, 2025
There was something special about how NYC dancers Dominica Greene and Malcolm-x Betts opened their shared evening of new work at Danspace Project: it began before […]







