Sep 17, 2021
IN BALANCHINE’S CLASSROOM: Review by Celia IpiotisIn Balanchine’s Classroom filmmaker Connie Hochman condenses 100 interviews with current and former NYC Ballet dancers into a portrait of the […]
Aug 18, 2021
How do you know you’re back in NYC? Here’s one clue: You order food, then ask for bread and the waiter snaps, “You ordered enough food. […]
Jul 23, 2021
Near the end of Jamila Wignot’s immersive documentary on Alvin Ailey, he states in very clear terms, “I want it to be easier than it was […]
Jul 12, 2021
Nothing like an epidemic to make you appreciate there’s no place like the live theater. NYCB is poised to open its 2021-22 season on Sept. 21 […]
May 17, 2021
Relaxed lopes invert into barrel turns and floor hugging street dance riffs. Without pointing at the hinges joining modern dance to vernacular forms, Seymour Chafin’s vocabulary registers […]
Apr 19, 2021
How do you know you’re back in NYC? Here’s one clue: You order food, then ask for bread and the waiter snaps, “You ordered enough food. […]
Apr 17, 2021
Celia Ipiotis and the living legacy of “Eye on Dance”The Dance Boom that began with Nureyev and ended with Y2K still resonates todayApril 17, 2021 http://www.beyondcriticism.com/25301/celia-ipiotis-and-the-living-legacy-of-eye-onFacebook […]
