Feb 10, 2026
Review by Celia Ipiotis It was “no” to sneakers, and “yes” to toe shoes in Justin Peck’s new, disarming work The Wind-Up. Set to Eroica, the first movement of […]
Feb 7, 2026
Soledad Barrio and Martin Santangelo, Artistic Directors of Noche Flamenca, presented a choreographic homage to the 18th-19th century Spanish painter and printmaker, Francisco Goya, in Los Disparates (Irrationalities) at […]
Feb 7, 2026
IRT presented The Ladder directed by Haley Rice, written by Isaac Byrne, an adaptation of the ancient myth Theseus and the Minotaur. With lighting design by […]
Feb 6, 2026
This year’s Under the Radar offerings spanned a wide aesthetic sphere. Here’s an overview of a handful of the pleasures found in this exploratory arts winter […]
Feb 2, 2026
Review by Celia Ipiotis Sleek and potent, George Balanchine’s 1978 neoclassical Kammermusik, No. 2 to music by Paul Hindeminth, streaks across the David H. Koch stage. Charged with […]
Feb 1, 2026
Review by Celia Ipiotis In dance, the best way to meditate is to let Balanchine’s 1935 Serenade wash over you. A feeling of stillness frees overactive […]
