Jun 9, 2023
Review|Mary Seidman New York, New York June 9 — Seated in the front row of the Gibney Theater, I was surprised to find I was part […]
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Jun 9, 2023
Review|Celia Ipiotis New York, New York — GALLIM Dance founder and choreographer, Andrea Miller, is expert at taking minimal movements and sewing them into maximum sensual […]
Jun 6, 2023
Review|Mary Seidman New York, New York June 6, 2023 – Ballet Hispánico celebrated its second season at City Center. True to its mission, Ballet Hispánico offers […]
May 25, 2023
REVIEW By CELIA IPIOTIS New York, New York May 25, 2023 — It’s mind-bending listening to Neil Diamond’s songbook because his songs are so much a part […]
Apr 15, 2023
“I’m leaving.” The measured finality of that statement, uttered by Nora, reverberates throughout the Hudson Theater in the mesmerizing revival of Henrik Ibsen’s A Doll’s House set in […]
Apr 5, 2023
How can Stephen Sondheim’s remarkable and ghoulish musical tragedy Sweeney Todd exhume such glee from audiences? Hugh Wheeler’s book wryly comments on graft and unchecked political greed and […]
GO AND SEE
Jun 9, 2023
Review|Mary Seidman New York, New York June 9 — Seated in the front row of the Gibney Theater, I was surprised to find I was part […]
Jun 9, 2023
Review|Celia Ipiotis New York, New York — GALLIM Dance founder and choreographer, Andrea Miller, is expert at taking minimal movements and sewing them into maximum sensual […]
Jun 6, 2023
Review|Mary Seidman New York, New York June 6, 2023 – Ballet Hispánico celebrated its second season at City Center. True to its mission, Ballet Hispánico offers […]
May 25, 2023
REVIEW By CELIA IPIOTIS New York, New York May 25, 2023 — It’s mind-bending listening to Neil Diamond’s songbook because his songs are so much a part […]
Apr 15, 2023
“I’m leaving.” The measured finality of that statement, uttered by Nora, reverberates throughout the Hudson Theater in the mesmerizing revival of Henrik Ibsen’s A Doll’s House set in […]
Apr 5, 2023
How can Stephen Sondheim’s remarkable and ghoulish musical tragedy Sweeney Todd exhume such glee from audiences? Hugh Wheeler’s book wryly comments on graft and unchecked political greed and […]
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Jun 9, 2023
Review|Mary Seidman New York, New York June 9 — Seated in the front row of the Gibney Theater, I was surprised to find I was part […]
Jun 9, 2023
Review|Celia Ipiotis New York, New York — GALLIM Dance founder and choreographer, Andrea Miller, is expert at taking minimal movements and sewing them into maximum sensual […]
Jun 6, 2023
Review|Mary Seidman New York, New York June 6, 2023 – Ballet Hispánico celebrated its second season at City Center. True to its mission, Ballet Hispánico offers […]
May 25, 2023
REVIEW By CELIA IPIOTIS New York, New York May 25, 2023 — It’s mind-bending listening to Neil Diamond’s songbook because his songs are so much a part […]
Apr 15, 2023
“I’m leaving.” The measured finality of that statement, uttered by Nora, reverberates throughout the Hudson Theater in the mesmerizing revival of Henrik Ibsen’s A Doll’s House set in […]
Apr 5, 2023
How can Stephen Sondheim’s remarkable and ghoulish musical tragedy Sweeney Todd exhume such glee from audiences? Hugh Wheeler’s book wryly comments on graft and unchecked political greed and […]
