Review by Noah Witke Mele This fall the Paul Tayor Dancer Company once again returned to Lincoln Center’s Koch Theater topresent two weeks of wonderfully varied […]
Review by Celia Ipiotis Spellbinding is the only word to describe Frederick Ashton’s ballet Dream based on Shakespeare’s “A Midsummer Night’s Dream.”A superb cast led by […]
REVIEW By CELIA IPIOTIS What’s really at stake in the recent revival of Ossie Davis’ Purlie Victorious? Perhaps it’s one’s soul. Life can be cut off bit […]
REVIEW by Celia Ipiotis Merging video and dance is always a delicate proposition yet, Lucinda Childs and artist Sol LeWitt found harmony in their collaboration, Dance. Set to […]
What might a classical Indian dance and a pas de deux by French choreographer Maurice Bejarthave in common? Drama. Lots of drama. At Fall for Dance, […]
Review by Celia Ipiotis To this day, I remember the 1995 opening night of Jam on the Groove in a Greenwich Village theater. Rather than string together one hip […]
Review by Noah Witke Mele Step Afrika! took the Skirball stage by storm, drawing robust cheers and claps from the audience that matched the percussive rhythms […]
Review by Noah Witke Mele This fall the Paul Tayor Dancer Company once again returned to Lincoln Center’s Koch Theater topresent two weeks of wonderfully varied […]
Review by Celia Ipiotis Spellbinding is the only word to describe Frederick Ashton’s ballet Dream based on Shakespeare’s “A Midsummer Night’s Dream.”A superb cast led by […]
REVIEW By CELIA IPIOTIS What’s really at stake in the recent revival of Ossie Davis’ Purlie Victorious? Perhaps it’s one’s soul. Life can be cut off bit […]
REVIEW by Celia Ipiotis Merging video and dance is always a delicate proposition yet, Lucinda Childs and artist Sol LeWitt found harmony in their collaboration, Dance. Set to […]
What might a classical Indian dance and a pas de deux by French choreographer Maurice Bejarthave in common? Drama. Lots of drama. At Fall for Dance, […]
Review by Celia Ipiotis To this day, I remember the 1995 opening night of Jam on the Groove in a Greenwich Village theater. Rather than string together one hip […]
Review by Noah Witke Mele Step Afrika! took the Skirball stage by storm, drawing robust cheers and claps from the audience that matched the percussive rhythms […]
Review by Noah Witke Mele This fall the Paul Tayor Dancer Company once again returned to Lincoln Center’s Koch Theater topresent two weeks of wonderfully varied […]
Review by Celia Ipiotis Spellbinding is the only word to describe Frederick Ashton’s ballet Dream based on Shakespeare’s “A Midsummer Night’s Dream.”A superb cast led by […]
REVIEW By CELIA IPIOTIS What’s really at stake in the recent revival of Ossie Davis’ Purlie Victorious? Perhaps it’s one’s soul. Life can be cut off bit […]
REVIEW by Celia Ipiotis Merging video and dance is always a delicate proposition yet, Lucinda Childs and artist Sol LeWitt found harmony in their collaboration, Dance. Set to […]
What might a classical Indian dance and a pas de deux by French choreographer Maurice Bejarthave in common? Drama. Lots of drama. At Fall for Dance, […]
Review by Celia Ipiotis To this day, I remember the 1995 opening night of Jam on the Groove in a Greenwich Village theater. Rather than string together one hip […]
Review by Noah Witke Mele Step Afrika! took the Skirball stage by storm, drawing robust cheers and claps from the audience that matched the percussive rhythms […]