Gibney Company

Review by Celia Ipiotis

Text and movement flowed through a shadowed space in Lucien Oyen’s The Game is Rigged set to Gunnar Innvaer’s sound design. Pedestrian movements stretched through modern dance forms revealing dancers equally capable of speaking and moving. With roots in the European dance theater movement, most visibly promoted by PIna Bausch, Oyen’s choreography honed in on internal narratives spilling out of dancers’ gestures.

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