By contrast the costumes are lushly textured, traditional ensembles of wrapped fabric that mark each new character’s status even if the actor is familiar, as the ten performers take on many roles. The cast, made up of entirely New York-based Japanese actors is well assembled, each bringing to the stage the intensity of the historical drama.

With a tightly paced script each scene steadily drives the plot towards the promised end which, reflecting the very real history of early 18th century Japan, is apparent from the outset but nevertheless satisfying to watch unfold.

Holding the storytelling together is Dachs as she takes the position of the narrator, a woman named Riku, who speaks in English to the audience between acts. She is the wife of Oishi Kuranosuke: councelor to the Ako Asano clan whose lord was sentenced to death after an altercation with the villainous Lord Kira.

The clan’s samurai plot their revenge, spending years deciding the exact moment and manner to strike to return the Ako Asano name to honorable renown. When the day finally comes, the titular 47 ronin lay siege upon the house of Lord Kira in an exquisite bout of fight choreography by Kyo Kasami.

As the nine ensemble members portray all 47 samurai and their opponents in a flurry of entrances and exits, bringing the audience to the edge of their seats as Oishi’s son is wounded in the battle. But once their revenge is exacted on Lord Kira the honorable samurai must commit sepuku, an honorable ritual suicide, and ascend in Japanese legend.

A large part Amaterasu Za’s mission is bringing Japanese theatrical traditions to wider audiences, English and Japanese-speaking alike, and in that "Chushingura - 47 Ronin" is a wild success. Whether the audience is well versed or entirely new to Japanese theater they’re certainly in for a treat.
EYE ON THE ARTS, NY -- Noah Witke Mele