June 27, 2014
A grand development in the past decade is the growth of ballet companies outside NYC. NYC is no longer the only ballet game in the United States. This week proves the point by Boston Ballet’s appearance at the David H. Koch Theater. Celebrating their 50the anniversary, the company, under the artistic direction of Mikko Nissinen, showcases two repertory programs.
On opening night, three decidedly modern ballet works underscored the company’s versatility starting with “ The Second Detail “ (1991) by William Forsythe, one of this generation’s most influential choreographers.
Tightly focused dancers twist and extend into vertical pretzels unlocking joints into over-extended leg and arm extensions. Despite the geometric ballet jungle gym, personalities surface within the cubist bursts. Because his stark ballet moves throws bodies off-center, dancers must focus intently on their balance, or fall over. This demanding neo-classical, modern ballet proves the dancers’ mettle.
In “Resonance” (2014) the Spanish choreographer Jose Martinez designed a piece that, although modern in tenor, underscores the company’s lyricism spotlighting a couple of dancers including Lio Cirio, Lasha Khozashvili, Dusty Button and Alejandro Virelles.
Closing with the festively humorous “Cacti” (2010) by Swedish choreographer Alexander Ekman, the dance toyed with text, a multi-tiered cube set and plants. Yes, cacti made an appearance, and in a nutty parody, two dancers narrate the steps they are about to execute, and what they think while moving. The nonsensical performance gives the fine dancers a chance to cavort on stage and release their inner comics.
EYE ON THE ARTS, NY -- Celia Ipiotis