May 27, 2014
Precious gems frame the three-part, full evening ballet “Jewels” by George Balanchine(1967). Each section is dedicated to the vibrant properties of different gem.
The ballet opens on the dreamy Gabriel Faure music to Emeralds.Leading the ensemble, are two couples: Abi Stafford and Jared Angle plus Rebecca Krohn and Jonathan Stafford. More musical than Krohn, Stafford eased through the glides and floating balances with her attentive partner. In a clever partnering passage, two ballerinas, Lauren King and Megan LeCrone are matched up with a single danseur, Anthony Huxley. Of the two-featured ballerinas King most successfully located the music’s romantic breath.
Rubies announces the vibrant modernism heard in Stravinsky’s Capriccio for Piano and Orchestra, and pitches Ashley Bouder and Gonzalo Garcia in a playfully competitive exchange of solos. Reminiscent of the famous song from the musical Annie “Anything You Can Do I Can Do Better,” Bouder sallies out shaking her metallic, paneled tutu in hip swivels and rapid fire jump turns. Highly aerobic, Bounder and Garcia are in constant motion fanning through traveling spins, sparkling balances and air gulping leaps. Also joining the fiery duo is a technically and musically weak Savannah Lowery.
In the closing ballet, Diamonds to Tschaikovsky’s luxurious Symphony No. 3 in D Major” the graceful Sara Mearns holds the music’s heart. Elegant clarity describes the jewel and the dancer. Fearlessly dropping into Ask la Cour’s arms, Tschaikovsky’s long musical lines pass through her gracious limbs and upwardly arched torso. Slight hops out of held arabesques did not detract from the devotion to extending movement details and the aura of classical glamour.
EYE ON THE ARTS, NY -- Celia Ipiotis